Elevation Centre: writing to a beat |
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that guy
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Joined: 18 February 2008 Status: Offline Points: 130 |
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Topic: writing to a beatPosted: 17 November 2008 at 6:51pm |
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ok so im not as active on here as id like to be but anyway imma try and write more and stop smokin
so any tips on writing to a beat would be helpful or just someone tell me how you do it
PS if you read this then next post i have in open mic YALL BETTER FUCKIN READ AND REPLY
im not mad at no one i just wanna elevate yadig?
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-Orion-
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Joined: 08 April 2004 Location: DisturbinLondon Status: Offline Points: 9598 Crew: Renegades Text Rank: #1 Stats: 90-4-1 Form: WWWWNW |
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Posted: 17 November 2008 at 7:49pm |
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A basic way to learn how to write to a beat is to listen to how a (good) MC wrote to the same one. If you need to, study the lyrics carefully to make a note of the rhyme scheme and number of syllables in each bar (line) and mirror that when you then go to write your own shit...
Writing to a beat is generally a matter of intuition - it's something you either can do or can't - but that's not to say it can't be taught either, it's just difficult, as it's a matter of picking up the tempo of the beat and the rhythm of the drums to figure out in what meter you want to rap and how many syllables you can fit into each bar... complicated, right? Hence when it's taught, it often shows - and not in the good way - when compared to naturals... That is with more reference to tracks though: when you record your verses, rather than just the lyrics... If you're only interested in writing to beats in order to be a better writer, then it's not such a big deal...but common sense tells me you were asking as you plan to start or have already started recording your verses... |
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They just said that FUCKIN' with me They didn't mean it Nah . . . |
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ProFound
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Joined: 24 June 2006 Location: Canada Status: Offline Points: 1781 Text Rank: Unranked Stats: 5-9-2 Form: WLLNWN |
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Posted: 17 November 2008 at 10:41pm |
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Ill try n help you a bit more.. this is a lot for beginners, and im assuming you are so try this out..
when the beat comes in you'll here a clap in the beat.. generally for every 2 claps you want one line, and that line should finish on the clap.. so keep going like that
Line line line line ( clap ) line line line line(clap)
Line line line line ( clap ) line line line line(clap)
Line line line line ( clap ) line line line line(clap)
Line line line line ( clap ) line line line line(clap)
something like that, it should help your flow. but for sounding good and shit.. you gotta pratice that.. but that will help you get your basic flow down.. make sure all your lines fit so there not to stretched or to short |
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SageOne
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Posted: 17 November 2008 at 10:50pm |
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Look...you can NOT teach how to rap to a beat...since rhythm comes naturally for everyone and it's different for everybody.
Now...usually...yes...you have your words hit whenever the snares hit in a beat...usually the bar ending at the second and fourth snare of each bar...however...this varies on the emcee and the beat itself. Dont try to teach what cannot be taught. But still...nice try. god I'm a dick. |
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King Jehu
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Posted: 17 November 2008 at 11:54pm |
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Telling people what you can and cannot teach says more about your teaching ability and skill than it does for ours. And you still refer to a bar as if it were 2 lines. That's mistaken text rapper terminology.
Think up the flow, THEN write to that flow and do not sacrifice the flow for anything. Never. Anyone can write a "hot" verse that does not flow cause all you're constrained by is the rhyme. When you have to work within the margins of a rhyme scheme AND flow. Syllable number is way more important than you text people have shown. A bar of music is a bar of rap, and a line of rap longer than a bar of music does not work. The only exception is when there is a short line followed by a longer one. You can have a 12 syllable line and a 12 syllable line in a couplet or a 7 syllable line followed by a 17 syllable line The numbers are not exact, as there can be some leeway and this is an example. However, as long as a couplet (which text heads call bars) fits in the 2 measures (which is a real bar), the bar lengths can be ignored.
Other than shit like that, keep the syllable count reasonable. you people have stupid long lines in your writtens. You can't rap that even though you all say you do. Spit it out loud and see if you can do it taking regular breaths. If you can't, reword the phrasing. You people sacrifice flow for content not worth sacrificing flow for. |
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Insert something rappy here
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-Orion-
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Joined: 08 April 2004 Location: DisturbinLondon Status: Offline Points: 9598 Crew: Renegades Text Rank: #1 Stats: 90-4-1 Form: WWWWNW |
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Posted: 18 November 2008 at 12:07am |
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Ohhhhhhhhhhhh... mannn that last shit should be in a verse... hahahahaha I've been there... I say some wild shit just cussin' someone out then think, "Damn...if I'd thrown a set-up on that it coulda been the highlight of a verse!"
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They just said that FUCKIN' with me They didn't mean it Nah . . . |
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I-kontinue
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The Sovereign Joined: 14 July 2004 Status: Offline Points: 4961 Crew: The Dynasty Text Rank: #3 Stats: 46-9-0 Form: WWWWWL |
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Posted: 18 November 2008 at 2:22am |
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Never understood how people couldn't catch the rhythm to a beat... Common sense... And I couldn't teach it effectively over the internet anyway... Has to be learned from example... Listen to your favorite rapper and follow his pattern so you get the correct feel of what is "on tempo" is my only advice.
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that guy
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Joined: 18 February 2008 Status: Offline Points: 130 |
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Posted: 18 November 2008 at 7:49pm |
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aight thanks everyone (even sage) im gonna get to it ASAP
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